<?xml version="1.0" encoding="UTF-8"?>
<PBCoreDescriptionDocument xmlns="http://www.pbcore.org/PBCore/PBCoreNamespace.html" xmlns:fmp="http://www.filemaker.com/fmpxmlresult" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:xalan="http://xml.apache.org/xalan">
<pbcoreIdentifier>
<identifier>1229.0036</identifier>
<identifierSource version="version1.1">Northeast Historic Film (Organization)</identifierSource>
</pbcoreIdentifier>
<pbcoreIdentifier>
<identifier>6-4114D</identifier>
<identifierSource version="version1.1">University of Maine (Organization)</identifierSource>
</pbcoreIdentifier>
<pbcoreTitle>
<title>Hong Kong, Shanghai, and Beijing</title>
<titleType version="version1.1">Selection or Excerpt</titleType>
</pbcoreTitle>
<pbcoreDescription>
<description>Hong Kong harbor, Shanghai, and Beijing streets with transportation including human power, camels, bicycles, rickshaws, trolleys, wagons. </description>
<descriptionType version="version1.1">Abstract</descriptionType>
</pbcoreDescription>
<pbcoreGenre>
<genre version="version1.1">Home movies</genre>
<genreAuthorityUsed version="version1.1">Local</genreAuthorityUsed>
</pbcoreGenre>
<pbcoreRelation>
<relationType version="version1.1">Is Part Of</relationType>
<relationIdentifier>Charles Gilbert Collection</relationIdentifier>
</pbcoreRelation>
<pbcoreRelation>
<relationType version="version1.1">Is Referenced By</relationType>
<relationIdentifier>"China in the World:
A History Since 1644" textbook (Chapter 10), edited by Liz Nelson.</relationIdentifier>
</pbcoreRelation>
<pbcoreCoverage>
<coverage>Shanghai, China</coverage>
<coverageType version="version1.1">Spatial</coverageType>
</pbcoreCoverage>
<pbcoreCoverage>
<coverage>Beijing, China</coverage>
<coverageType version="version1.1">Spatial</coverageType>
</pbcoreCoverage>
<pbcoreCoverage>
<coverage>Hong Kong, China</coverage>
<coverageType version="version1.1">Spatial</coverageType>
</pbcoreCoverage>
<pbcoreCoverage>
<coverage>1928</coverage>
<coverageType version="version1.1">Temporal</coverageType>
</pbcoreCoverage>
<pbcoreCreator>
<creator>Gilbert, Charles</creator>
<creatorRole version="version1.1">Creator</creatorRole>
</pbcoreCreator>
<pbcorePublisher>
<publisher>Northeast Historic Film</publisher>
<publisherRole version="version1.1">Distributor</publisherRole>
</pbcorePublisher>
<pbcoreRightsSummary>
<rightsSummary>Northeast Historic Film, Creative Commons License 3.0
http://creativecommons.org/licenses/by-nc-sa/3.0/</rightsSummary>
</pbcoreRightsSummary>
<pbcoreRightsSummary>
<rightsSummary> This video clip may be used for research, teaching, and viewing but not for any commercial purpose. You must include the following credit:
  "Northeast Historic Film, Charles Gilbert Collection"</rightsSummary>
</pbcoreRightsSummary>
<pbcoreInstantiation>
<dateCreated>1928</dateCreated>
<dateIssued/>
<formatPhysical version="version1.1">Film: 16mm</formatPhysical>
<formatDigital version="version1.1"/>
<formatLocation>NHF cube</formatLocation>
<formatMediaType version="version1.1">Moving Image</formatMediaType>
<formatGenerations version="version1.1">Moving image/Original footage</formatGenerations>
<formatStandard version="version1.1"/>
<formatEncoding/>
<formatFileSize/>
<formatTimeStart>00:00:00</formatTimeStart>
<formatDuration>00:08:21</formatDuration>
<formatDataRate/>
<formatBitDepth version="version1.1"/>
<formatSamplingRate version="version1.1"/>
<formatFrameSize version="version1.1"/>
<formatAspectRatio version="version1.1">4:3</formatAspectRatio>
<formatFrameRate version="version1.1">16 fps</formatFrameRate>
<formatColors version="version1.1">B&amp;W w/ color tinting</formatColors>
<formatTracks>Silent</formatTracks>
<formatChannelConfiguration/>
<language version="version1.1">eng</language>
<alternativeModes>eng</alternativeModes>
<pbcoreFormatID>
<formatIdentifier>1229.0036</formatIdentifier>
<formatIdentifierSource version="version1.1">Northeast Historic Film (Organization)</formatIdentifierSource>
</pbcoreFormatID>
<pbcoreAnnotation>
<annotation>This excerpt is limited to the China-related material from Gilbert's home movies, specifically "A Trip Around the World." This nine minute segment was transferred by Bob Brodsky at 16 fps with some intertitles slower for legibility. Brodksy’s film handling and transfer notes:

"Charles Gilbert Collection Acc. 1229 “World Trip” marked selection…from a large Gilbert reel consisting of two types of material intercut: yellow base 16mm print of titles and surrounding scenes, probably made by a
commercial photographer (and perhaps sold on shipboard to round-the-world travelers). This is intercut with 16mm black and white camera original reversal film, probably made by amateur photographers traveling in the Gilbert party. The black &amp; white original contains date codes of •••, indicating film manufacture in 1928.
The yellow print material has no date code. There was considerable shrinkage along edges, resulting in the tendency to twist. The black &amp; white original film material is of generally low contrast and grainy. It was decided to render these yellow images as sepia, while the original material is rendered in its original black &amp; white. Most of the print scenes were joined to one another by diagonal splices which were skipped in the transfer. This suggests that the print had been cut apart and reassembled by the Gilbert filmmakers to suit their needs."</annotation>
</pbcoreAnnotation>
</pbcoreInstantiation>
<pbcoreInstantiation>
<dateCreated>2008-02-22</dateCreated>
<dateIssued>2008</dateIssued>
<formatPhysical version="version1.1"/>
<formatDigital version="version1.1">video/mp4</formatDigital>
<formatLocation>http://windowsonmaine.library.umaine.edu/objects/6-4114D.mp4</formatLocation>
<formatMediaType version="version1.1">Moving Image</formatMediaType>
<formatGenerations version="version1.1">Moving image/Viewing copy</formatGenerations>
<formatStandard version="version1.1">QuickTime</formatStandard>
<formatEncoding>MPEG-4</formatEncoding>
<formatFileSize>222.29 MB</formatFileSize>
<formatTimeStart>00:00:00</formatTimeStart>
<formatDuration>00:08:21</formatDuration>
<formatDataRate>3637.57 kbit/s</formatDataRate>
<formatBitDepth version="version1.1"/>
<formatSamplingRate version="version1.1">44.1 kHz</formatSamplingRate>
<formatFrameSize version="version1.1">320x240</formatFrameSize>
<formatAspectRatio version="version1.1">4:3</formatAspectRatio>
<formatFrameRate version="version1.1">29.97 fps (59.94 fields/sec)</formatFrameRate>
<formatColors version="version1.1">B&amp;W w/ color tinting</formatColors>
<formatTracks>Silent</formatTracks>
<formatChannelConfiguration/>
<language version="version1.1">eng</language>
<alternativeModes>eng</alternativeModes>
<pbcoreFormatID>
<formatIdentifier>6-4114D</formatIdentifier>
<formatIdentifierSource version="version1.1">University of Maine (Organization)</formatIdentifierSource>
</pbcoreFormatID>
<pbcoreAnnotation>
<annotation>This excerpt is limited to the China-related material from Gilbert's home movies, specifically "A Trip Around the World." This nine minute segment was transferred by Bob Brodsky at 16 fps with some intertitles slower for legibility. Brodksy’s film handling and transfer notes:

"Charles Gilbert Collection Acc. 1229 “World Trip” marked selection…from a large Gilbert reel consisting of two types of material intercut: yellow base 16mm print of titles and surrounding scenes, probably made by a
commercial photographer (and perhaps sold on shipboard to round-the-world travelers). This is intercut with 16mm black and white camera original reversal film, probably made by amateur photographers traveling in the Gilbert party. The black &amp; white original contains date codes of •••, indicating film manufacture in 1928.
The yellow print material has no date code. There was considerable shrinkage along edges, resulting in the tendency to twist. The black &amp; white original film material is of generally low contrast and grainy. It was decided to render these yellow images as sepia, while the original material is rendered in its original black &amp; white. Most of the print scenes were joined to one another by diagonal splices which were skipped in the transfer. This suggests that the print had been cut apart and reassembled by the Gilbert filmmakers to suit their needs."</annotation>
</pbcoreAnnotation>
</pbcoreInstantiation>
</PBCoreDescriptionDocument>

